John Bailey – In Real Time (2018)

John Bailey - In Real Time (2018)
Artist: John Bailey
Album: In Real Time
Genre: Post-Bop, Straight-Ahead Jazz
Origin: USA
Released: 2018
Quality: mp3, 320 kbps
Rhapsody 09:09
My Man Louis !08:03
Triplicity 07:36
Lovely Planet 05:07
Blues for Ella 05:17
Morro Velho 04:44
Stepping Up 05:00
Children’s Waltz 05:46
Ensaio Geral 03:40


In Real Time, John Bailey (Summit Records), reveals a trumpeter in his prime, reeling off runs and phrases with consummate technique and admirable logic. John leads a piano-less quintet featuring Stacy Dillard, tenor and soprano saxes; John Hart, guitar; Cameron Brown, bass, and Victor Lewis, drums. Seven of the CD’s nine tracks are originals by the leader that range from hard bop to blues to a swinging waltz. The two other tunes are by giants of Brazilian music.

On Milton Nascimento’s “Morro Velho,” John plays flugelhorn with Leo Grinhauz, cello; John’s wife, Janet Axelrod, flute; Cameron and Victor. His captivating, exotic arrangement pairs flugelhorn and cello echoing and soloing with each other. Tandem soloing from trumpet, guitar and tenor sax also dominates the other Brazilian tune, Gilberto Gil’s bossa “Ensaio Geral,” the bright, short conclusion to the album.

The CD kicks off with John’s “Rhapsody,” a piece that belies its name with a rollicking rhythm and joyful, exuberant solos. John mines his bebop and hard bop knowledge on three originals: “Triplicity,” a multi-strand theme with quick-step trades between the horns and guitar; “Blues for Ella,” a fast, staccato bop blues line with an especially fluent, crisp trumpet solo; and “Stepping Up,” a hard bop piece that culminates in exhilarating four-bar trades.

John’s versatility comes to the fore on three other tracks. “My Man Louis!” (for his teenage son, not Satchmo) rides over a jaunty ostinato riff from bass and guitar and a trumpet solo of precisely clipped notes. “Lovely Planet” is a melodically elegiac ballad with Cameron’s bass prominent under John’s trumpet. And “Children’s Waltz” is in a seductively swinging 3/4, John’s flugelhorn joined by Stacy’s only outing on soprano sax.