Heads Of State – Four In One (2017)

Heads Of State - Four In One (2017)
Artist: Heads Of State
Album: Four In One
Genre: Bop
Released: 2017
Quality: mp3, 320 kbps
Four In One (7:18)
And He Called Himself A Messenger (4:26)
Dance Cadaverous (10:02)
Moose The Mooche (5:29)
Aloysius (6:38)
The Day You Said Goodbye (7:55)
Milestones (4:49)
Keep The Master In Mind (6:58)
Someone To Watch Over Me (8:13)
Sippin’ At Bells (3:57)
Freedom Jazz Dance (6:38)


Heads of State is saxophonist Gary Bartz, pianist Larry Willis, bassist David Williams and drummer Al Foster, a golden-ager postbop supergroup whose genesis dates back to the members’ participation in a 2014 McCoy Tyner tribute at the New York club Smoke. This is the band’s second release.

A feeling of hard-earned, almost autumnal calm permeates this set. Even on pieces that typically lend themselves to high-energy displays of virtuosity—the Monk-penned title tune and Bird’s “Moose the Mooche,” among others—Bartz utilizes a soft-edged, somewhat dry timbre that bespeaks unforced studiousness, making him sound more like an armchair philosopher than the questing adventurer. (He finally navigates more sharply edged contours on Eddie Harris’ “Freedom Jazz Dance,” the set’s closer.) Willis chords lightly but emphatically, and his single-note scatters are deft and impeccably thought-out, adding to the overall feel of focus. Williams is a deep-pocketed swinger; even his solos, as freely exploratory as they can be, adhere to the rhythmic themes he and Foster establish. The drummer, propulsive and texturally complex, nonetheless goads through understatement more than force.

The stretching out sounds more ambitious on the original compositions, one by each of the principals. To cite two: Bartz’s “And He Called Himself a Messenger” is edgily forward-driving; he rides the melody and rhythm with easygoing grace, letting the propulsive thrust carry him and laying swirls of color atop it. Willis’ ballad “The Day You Said Goodbye” is lush yet emotionally stripped down, all the more effective for its lack of sentimentality. As on the quartet’s reading of the Gershwin standard “Someone to Watch Over Me,” pathos, not bathos, is accentuated.
By David Whiteis