Artist: Fire! Orchestra
Genre: Free Jazz, Free Improvisation
Quality: mp3, 320 kbps
1. Ritual Part 1
2. Ritual Part 2
3. Ritual Part 3
4. Ritual Part 4
5. Ritual Part 5
I have often asked myself why I love Mats Gustafsson’s projects The Thing, Fire! and Fire! Orchestra so much. But actually, the answer is relatively simple: It’s these riffs and catchy grooves that kill me – and with Ritual Fire! Orchestra excel themselves. Here they combine the soulfulness of their debut album Exit with free jazz excursions and the prog rock elements of the follower Enter to a beast of ultimate power and beauty. For the first time they have found the perfect balance between elaborate arrangements and free improvisation.
If you compare the music on Ritual to “Enter Part Two“, the central track on Enter, for example, you can see that it already had one of these gripping riffs but then Mats Gustafsson didn’t seem to trust his vision so that he added a pure noise segment so that the piece fell apart.
On Ritual everything is much more organic. The album is conceived like a suite with five cohesive tracks. The lyrics are from Erik Lundgren’s “Mannen utan väg“ (“man without a way“) from 1942, as well as some original texts from Mats Gustafsson, all sung by Mariam Wallentin and Sofia Jernberg (Simon Ohlsson, who added male vocals on Enter, is not part of the project anymore). Three songs are uptempo soul rockers (“Ritual 1“, “Ritual 2“ and “Ritual 4“), two are slow, groovy shuffles (“Ritual 3“ and “Ritual 5“). The first four tracks are loosely connected by solo and duo parts (saxophone, electronics/guitars, drums), only the last track is separated. In these connections the musicians can live out their lust to freely improvise before the solos are absorbed in the notated parts of the compositions.
The three rockers are the highlights of the album, the band is very disciplined and plays them very tightly. This might have to do with the fact that the Fire! Orchestra has downsized. On their previous albums there were up to 29 musicians, now they are just 21 members. This means that they still have the impact of a full orchestra however, the compositions have got rid of unnecessary bombast. A good example of this is “Ritual 2“, an impatient, bumpy funk piece, which consists of three connected layers: the main theme played by the guitars, bass, drums and parts of the reeds, the interspersions by the brass section and the solos that soar above them – the voices (especially Jernberg’s helium voice hits the roof), a nervous trombone and a frantic soprano saxophone. In general, all the tracks have a very dramatic structure, they amount to a climax and then they calm down again (most notably in “Ritual 4“). “Ritual 5“ is the grande finale. Based on a slow Fender Rhodes riff, the brass section throws in excessive chords and the singers move mysteriously between heaven and hell. There is a certain smoothness in this track, if there weren’t disturbing electronic and guitar sounds that save the song from being too accessible.
This music keeps circling like the wind in the aftermath of a storm scattering ashes and debris, the underlying tension is one of the great qualities of the album in general. Finally, there is the sound, which is full and clear. The music is superbly recorded capturing every detail beautifully. All in all, Ritual is one of the best albums this year.
By Martin Schray