Alan Baylock Jazz Orchestra – Prime Time (2014)

Alan Baylock Jazz Orchestra - Prime Time (2014)
Artist: Alan Baylock Jazz Orchestra feat. Doc Severinsen
Album: Prime Time
Genre: Big Band
Origin: USA
Released: 2014
Quality: mp3, 320 kbps
Cold Duck Time [00:06:33]
The Phrygian Five [00:06:34]
Torque [00:06:24]
El Abrazo [00:07:34]
I Want To Be Happy [00:02:59]
September Song [00:04:51]
Hey Jude [00:11:32]
I’ve Grown Accustomed To Her Face [00:03:26]
Blues For Stew’s Shoes [00:12:09]


Composer / arranger Alan Baylock seems to have a penchant for time. Prime Time is the Baylock Jazz Orchestra’s third album, following Two Seconds to Midnight (2003) and Eastern Standard Time (2008). This time (no pun intended), Baylock, who doubles as chief arranger for the U.S. Air Force’s premier jazz ensemble, the Airmen of Note, has enlisted the services of the seemingly ageless trumpet master Doc Severinsen (of Tonight Show Band fame) who pays Father Time no heed while shining brightly on three of the album’s nine numbers.

Prime Time opens in a vibrant, funky mood with Baylock’s emphatic arrangement of Eddie Harris’ “Cold Duck Time” (another sequential reference) before moving on to a trio of the leader’s high-spirited and tasteful compositions: “The Phrygian Five,” “Torque,” “El Abrazo.” The orchestra, comprised for the most part of seasoned members of the Airmen of Note and other service bands from the nation’s capital, nails them to the wall, as it does everything else strewn in its path. Severinsen, a youthful eighty-seven when Prime Time was recorded, puts his high-note skills to good use on the Vincent Youmans / Irving Caeser standard “I Want to Be Happy,” solos brightly (with tenor saxophonist Tyler Kuebler) on Kurt Weill’s “September Song” and switches to flugelhorn for another star turn on the Lerner and Loewe classic “I’ve Grown Accustomed to Her Face.”

Sandwiched between “September Song” and “Her Face” is Baylock’s lone misstep, an extended version (more than eleven minutes) of John Lennon / Paul McCartney’s lackluster “Hey Jude,” which soon wears out its welcome in spite of able solos by Kuebler, guitarist Shawn Purcell and trumpeter Alex Norris. The ensemble redeems itself with a torrid reading of Baylock’s hard-swinging finale, “Blues for Stew’s Shoes” (assertive solos courtesy of Kuebler, flugel Tim Leahey, baritone Doug Morgan, tenor Luis Hernandez, alto Antonio Orta, trombonist Jeff Martin and drummer Todd Harrison ). The versatile Harrison governs the orchestra’s splendid rhythm section, whose other members are Purcell, pianist Bob Larson and bassist Paul Henry. Larson and Orta solo smartly on “The Phrygian Five,” Purcell and trombonist Matt Niess (muted) on “Cold Duck Time,” Norris and trombonist Ben Patterson on “Torque,” Hernandez on “El Abrazo.”

In sum, Prime Time serves as an admirable showcase for the Baylock Jazz Orchestra in what is presumably its swan song, as in January 2016 Baylock returns to his alma mater, the University of North Texas, to take command of the university’s flagship ensemble, the One O’Clock Lab Band. Well-wishes for Baylock’s success are entwined with an assurance that listeners may soon be savoring the fruits of his impending enterprises at UNT.